Shot on RED Epic M-X + RED Scarlet M-X + Super Baltar Prime Lenses. Dog Food, written and directed by Brian Crano, premiered at the 2014 South by Southwest Film Festival. The short film was released this week as a Vimeo Staff Pick. Watch it out here:
Produced by 3GR Featured-Filmmakers Michael Scott Klein and Max Hurwitz. Shot by 3GR’s Adam Bricker. Lit by Gaffer and 3GR Featured-Filmmaker Zack Savitz and Key Grip Drew Verderame. Camera Operated by Tim Naylor and 3GR Featured-Filmmaker Raul B. Fernandez. Focus Pulled by 3GR’s Charlie Panian and Margaux Hallenstein Bricout. Color by Damian McDonnell at Technicolor Hollywood.
We’ve added the new DSMC RED Motion Mount Titanium PL to our rental inventory.
The mount provides 8-stops of Variable Neutral Density. The mount also behaves like a Global Shutter, creating images with more filmic motion blur. Here’s the description from RED:
The RED MOTION MOUNT® Ti PL pushes the limits of what is possible under virtually any motion capture scenario. It’s a finely tunable neutral density filter over a wide range of stops. It’s a global shutter that prevents partial illumination with strobes and shearing with fast subjects. It’s a time filter that renders sharper yet smoother pans, artifact-free cyclical motion, more natural motion blur, and reduced or eliminated flicker with lights and electronic displays. Most importantly, all of this can be achieved using a drop-in titanium lens mount that preserves your existing camera and workflow.
The RED MOTION MOUNT integrates an intelligent neutral density (ND) system into its design, allowing you to electronically adjust your ND levels for precise exposure. Through the on-screen controls of your EPIC or SCARLET, you can finely adjust your ND opacity up to 2.4 ND, instead of having to interchange work around the predetermined values of ND glass filters. This technology encourages you to work faster and lighter by reducing the need to overload your matte box.
The RED MOTION MOUNT also has a mode that behaves like a global shutter. When working with strobes or fast subjects, this mode reduces partial exposure issues and provides more consistent illumination for every frame. Skewed and smeared artifacts become imperceptible as the REDMOTION MOUNT fundamentally changes the way your camera captures light.
SOFT SHUTTER FILTER
Cleaner pans, less cyclical motion artifacts, and no flicker – that’s what you can expect from your image with a RED MOTION MOUNT. The built-in time filter system eliminates many of the troubles associated with traditional motion cameras and elevates the quality of all of your imagery. With more natural motion blur and no more flickering displays or lights, the RED MOTIONMOUNT brings your digital image closer to human eyesight than ever before.
Here’s a link, courtesy of REDUser’s Phil Holland, to download a 4K MP4 version of Gone Girl Trailer #2. Shot on RED Epic Dragon by DP Jeff Cronenweth. The trailer looks incredible. Some screen grabs are below:
Trailer for Night at the Museum 3: Secret of the Tomb shot on RED Epic Dragon by cinematographer Guillermo Navarro, ASC, AMC. Directed by Shawn Levy.
Check out the first full-length trailer for this fall’s thriller, Gone Girl, directed by David Fincher. Shot on RED Epic Dragon by DP Jeff Cronenweth. Starring Ben Affleck and the alter egos of Hedwig and Madea More of Cronenweth’s RED cinematography here. Also, new Gone Girl posters are here. **EDIT: The first trailer we linked to was pulled from YouTube. Please […]
Directed by Steven Knight. Shot by DP Haris Zambarloukos on RED Epic. Starring Tom Hardy.
Directed by Prettybird’s Melina Matsoukas. Shot by DP David Devlin on RED Epic Dragon. Posted on REDUser by Jarred Land.
Sketch for The Pete Holmes Show on TBS. Directed by Oren Brimer. Shot by DP and 3GR Featured Filmmaker Elie Smolkin on RED Epic.
BuzzFeed + Purina spot shot by Adam Bricker. I think YouTube user, SentinelPrimek, sums it up well in the comments with “You gotta say, that was a good ad.”
Funny or Die + Neighbors promo shot by Adam Bricker in Austin, TX
Sean Conaty! Woop! More work on Sean’s 3GR page and cinematography website.
Trailer for Gone Girl. Directed by David Fincher and shot by DP Jeff Cronenweth on RED Epic Dragon + Leica Summilux prime lenses.