Shot on EPIC DRAGON: Chef’s Table, Season 2

Chef’s Table – Season 2

The James Beard Award-winning Netflix original is back for round two, traveling the world to meet more of the world’s most captivating chefs and tell their stories. The series is shot by DPs Will Basanta and our very own Featured Filmmaker, Adam Bricker, using our Red Epic Dragon cameras with Leica Summicron and Summilux primes.

This season includes Brazil’s Alex Atala, Slovenia’s Ana Ros, San Francisco’s Dominique Crenn, Mexico’s Enrique Olvera, Thailand’s Gaggan Anand, and Chicago’s Grant Achatz.

If you haven’t had a chance to watch the first season, definitely check it out!

 

More to Come

Later this year, Netflix will release four special episodes featuring the world’s most renowned French chefs. Watch this space for release date and inevitably gorgeous trailer whenever that drops.

Early 2017 will bring yet another set of 6 chefs from around the world to your screen.

 

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In Production: Storaro to shoot Woody Allen’s Next Film

cinematography legends and woody allen

Woody Allen with Gordon Willis, Sven Nykvist, Harry Savides, Darius Khondji, Vilmos Zsigmond &  Vittorio Storaro

Vittorio Storaro is the latest addition to an impressive list of prestigious DPs Woody Allen has teamed up with throughout his career. Shooting begins this month in Los Angeles and New York on the 1930’s period piece, set to premiere in 2016.

Gordon Willis, Sven Nykvist, Harry Savides, Vilmos Zsigmond and Darius Khondji have each had a hand in the look of Woody Allen’s films throughout his career. Willis, often called the “Prince of darkness,” helped the prince of dark neurotic comedy establish his look – he shot eight of Allen’s most iconic films, including Annie Hall (1977), Manhattan (1979) and Stardust Memories (1980).

Allen’s most recent project with Khondji, Irrational Man, is still playing at a theater near you, and the rumors of his next release are already a’buzzin.  The film boasts an all-star cast befitting its ensemble director.

Jesse Eisenberg, Blake Lively, Bruce Willis, Kristen Stewart, Anna Camp, Paul Schneider, and many more are expected to don their depression-era best for this project.

 

Storaro-Style

Known for his striking use of color, Vittorio Storaro has lensed many visually stunning films for some pretty stellar directors. Francis Ford Coppola‘s Apocalypse Now (1979) influenced a generation of aspiring DPs and earned Storaro his first Academy Award for Cinematography.

Warren Beatty‘s epic, Reds (1981) won him a second Oscar, and their next movie together, Dick Tracy (1990) snagged a nomination that year.

Numerous collaborations with Bernardo Bertolucci (The Last Tango in Paris (1972), The Conformist (1970), The Sheltering Sky (1990), The Last Emperor (1987) – Oscar number 3!) showcase Storaro’s signature style of visual storytelling.

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Colors of the Storaro Rainbow

A champion for the universality of light and color, Storaro is known for assigning a look or a hue a particular emotive motif, utilizing the visual throughout a film’s story arc.

Storaro’s work often exemplifies the storytelling role cinematography itself can play in cinema. Don’t we all know someone who caught the cinematography bug after watching something he shot? The guy even has a set of Rosco Gels named after him.

 

So what will a Storaro/Allen collabo look like?

Is it likely that the upcoming film will receive such careful aesthetic consideration?

This will be the first time the two collaborate as Director/DP, but they have worked together once before. Woody Allen starred in Alfonso Arau’s Picking Up The Pieces (2000), which Storaro shot.

In the dark comedy, (which technically looks fine/unremarkable) Woody Allen plays a butcher who kills and dismembers his cheating wife, confessing his crimes to the local priest (David Schwimmer). Hijinks ensue.

Woody Allen and David Schwimmer in PICKING UP THE PIECES (2000)

Shocker – the movie was panned! Variety called it “a tawdry misfire of the lowest order…” ouch… Needless to say, it was something of a departure from Storaro’s usual arty fare.

Maybe the two bonded on set and came up with some fabulous idea that’s been 15 years in the making. Maybe Storaro has been concocting a whole new set of gels for comedy. Who knows. We can’t wait to see some images from the new project, and welcome any tips from those in the know.

Watch this space for updates – and in the meantime, check out Woody Allen’s earlier films shot by some of the most talented cinematographers out there (along with the dearly departed – RIP guys. We’ll always turn off one more light for you just when we think it’s dark enough.) And treat your eyeballs to some Storaro classico…

Apocalypse Now Redux is currently available streaming on Amazon Prime & The Conformist is on Netflix, along with Gordon Willis’ Annie Hall, Sven Nyqvist’s Another Woman.

…or just make yourself some popcorn, get your nerd on and re-watch Visions of Light. No judgement.

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